1. Jennifer Butler et al., James Jennifer Georgina (London: Erasmus, 2010), 6. See also James Jennifer Georgina (website) http://jamesjennifergeorgina.com/.
  2. Reyner Banham, Los Angeles: The Architecture of the Four Ecologies, rev. ed. (Berkeley: University of California Press, 2001), 143. Quoted in Susanna Newbury, “Thirtyfour Parking Lots in the 50 Fragmented Metropolis,” in Everything Loose Will Land: 1970s Art and Architecture in Los Angeles, ed. Sylvia Lavin with Kimberli Meyer (New York: Distributed Art Publishers, Inc., 2013), 52.
  3. Newbury, “Thirtyfour Parking Lots,” 55.
  4. Sydney Pokorny, “Doug Aitken,” Frieze, November 6, 1994, https://frieze.com/article/doug-aitken. Quote from Paul Virilio, The Aesthetics of Disappearance, trans. Philip Beitchman, (New York: Semiotext(e), 1991), 65.
  5. Sonia Bridge, “Robert Breer: Single-frame Aesthetics and Inherited Modernisms in Relation to the Neo-avant-garde and Debates on Film Animation,” PhD thesis, University College London, 2016) 28, https://discovery.ucl.ac.uk/id/eprint/10024629/1/Bridge_ID_PhD-thesis_REDACTED-version.pdf.
  6. Trevor Paglen, “Invisible Images (Your Pictures Are Looking at You),” The New Inquiry, December 8, 2016, https://thenewinquiry.com/invisible-images-your-pictures-are-looking-at-you/.